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Cover of Two Novels by Phyllis A Whitney

How long does it take to read Two Novels by Phyllis A Whitney?

Thunder Heights and Window on the square.

Phyllis A. Whitney

Two Novels by Phyllis A Whitney by Phyllis A. Whitney takes about 9 hours 16 minutes to read at 250 words a minute.

About 9 hours 16 minutes

A week or two of reading

First published 1960. 505 pages, about 138,875 words.

19 days at 30 minutes a day

Estimate based on 275 words per page.

At other speeds

Slow, 150 words a minute 15 hours 26 minutes
Average, 250 words a minute 9 hours 16 minutes
Fast, 400 words a minute 5 hours 47 minutes

The page count is the median across 2 editions, so your copy may differ. How we calculate.

About the book

Thunder Heights To Camilla King, her trip up the Hudson to the huge Gothic mansion named Thunder Heights was in a way a return to the home that had never been hers. From there her grandfather, Orrin Judd, the financier, ran his vast empire. When Camilla had been a child her mother had returned there for a visit and mysteriously died. From that point on, for reasons she had never understood, Camilla's father had cut himself off completely from the Judd family. And later Camilla, now an orphan and quite alone, had been making her way as a governess in New York City. The summons from the old man had come as a complete surprise. Yet Camilla obeyed it willingly, half out of curiosity, half in the hope of discovering a home and family of her own. She found a sick old man anxious to make his peace with her before he died. She found two extraordinary aunts--imperious Aunt Hortense, dressed in bygone fashions, and fey, ghostlike Aunt Letty, haunted by some strange guilt or sorrow. She found also Hortense's adopted son, Booth, a strange, sardonic young man who seemed content to idle away his considerable talents as a painter, and Ross Granger, who had been brought there as an aide to her grandfather and who treated her with the most rigid formality. Over the enormous house hung an atmosphere of gloom, impending danger, and strange crosscurrents. And out of these elements Phyllis Whitney has fashioned an extraordinarily holding story. Old Orrin Judd's amazing will, young Booth's unfinished portrait of Camilla's mother, the house itself, which took on a character of its own, and one near-accident after another, seemingly aimed at driving Camilla away, all play their parts. The Window on the Square THE SCENE IS NEW YORK CITY IN THE 1870's. A letter summons young Megan Kincaid to the house on Washington Square. In a startling interview the master of the house, Brandon Reid, informs her that he wishes her to devote herself to moody, unbalanced Jeremy, Mrs. Reid's son by her…

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